io9 has just posted a list of "Ten Science Fiction Novels That Will Definitely Never Be Movies." Robert Heinlein's novel Friday made the #1 spot - and I'm pleased to note that there's a link to my 2006 article about the book, which has probably led to a record number of eyeballs looking at this blog at once, and certainly that posting (which originally ran in a peer-reviewed academic journal).
I suppose the fact that the words encompassed within the hyperlink happened to include "group marriage" was a factor.
At any rate, I found myself considering the film's likelihood of ever becoming a movie. As the blog suggests in its comment, the story's abundance of sex, which Friday has quite casually, with several men and women, is a complicating matter. On the whole Hollywood is rather more reticent than it used to be about depicting casual sex, especially where this is construed as pleasurable or fanservice-y, and is certainly unlikely to insert it into such things as feature action films, and certainly big-budget science fiction films. (Roger Vadim, who actually did feature casual sex in a science fiction film - the cult classic Barbarella - once remarked that "Hollywood is sometimes licentious, but always puritanical."1 So it remains today.)
It sometimes seems as if Hollywood is less bothered by sexually adventurous women than sexually adventurous men (James Bond had to clean up his act while Sex and the City was just taking off), but this sort of thing was clearly a problem for comparable material in the not-too-distant past. The 1998 TV movie Chameleon (a pilot for a TV series that never got made for the now-defunct United Paramount Network) had the titular character - like Friday, a sexy and sexual genetically engineered covert operative - hopping beds in its first half (mostly in the line of duty), and then giving this up as she became more self-aware, less an instrument of her employers and more her own person. She was not seen having sex again in that film, or the two sequels (1999's Chameleon II: Death Match and 2000's Chameleon 3: Dark Angel) which followed it. On the TV series Dark Angel the feline component in the genetic code of the Friday-like Max caused her to periodically go into heat, but the writers handled the material very carefully, keeping her out of the sorts of adventures and misadventures to which this could easily have led (though I imagine some of the fan fiction writers must have been less inhibited about exploring that side of her).
If anything, I imagine the studios to be more anxious about such matters today, and that is all without considering the story's handling of Friday's rape by enemy agents during an interrogation, which has understandably disturbed and offended many a reader.
One might also add to the list of problems the looseness of the story, the highly personal nature of the plot, the elaborate world-building required to faithfully render his version of Earth, the crowding of the tale with Friday's views on life, the universe and everything (all especially difficult challenges for anyone trying to build this into the kind of science fiction film that would sell enough tickets to cover the cost of a suitable budget). Consequently, it seems that too much would have to be cut out, and too much added, to turn it into a workable film - too much to seem worth the effort. All that said, I don't know that I would have come up with the same top ten, but I'm hardly surprised to see Friday on it.
1. The remark appears in his first autobiography, 1975's Memoirs of the Devil. Incidentally, this has likely been a stumbling block for that Barbarella remake long in development hell.
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8 comments:
It looks like Friday has come to a theatre quite near me - in the form of the film LUCY!
Thanks for writing Ms. Boland.
Haven't seen Lucy yet, but I'll keep the comparison in mind for when I do.
The low budget 1987 sci-fi film Star Quest: Beyond The Rising Moon, re-edited and added to a few years ago as Outerworld, is based somewhat on Friday. Many plot and character points, as well as a name or two are direct rip offs, as well as several action sequences. Worth checking out!
I hadn't heard about that one, but I am definitely curious.
Thanks for the mention capnsid.
OK, I get that leaving a post this far down the road is weird, but I just came across this blog entry while searching for background on Friday. I can't help but wonder if your opinion on the likelihood of Friday being picked up for a movie have changed, given how much Netflix and Amazon have changed the movie-making landscape in the past few years. Certainly they are MUCH more comfortable with sex in their productions than Hollywood was. If movies like Jolt and Gunpowder Milkshake are getting made, why not something as iconic as Friday?
Hi Barnacle. Thanks for writing, and no, nothing weird about a comment now--or anytime so long as the thing is still up.
Certainly when I wrote that item things were very different--the streaming of original, big budget content just starting to get going (the debut of the Netflix remake of House of Cards was still several months away), and personally I didn't think it would get so big, so fast. And I do think that it creates options that didn't exist before, Netflix etc. willing to give creators more latitude than the studios (so far, at least).
As to latitude in that particular area . . . especially as I haven't seen the two movies you mentioned I can't judge their value as reference points. Still, my impression is that these days the kind of sexual content seen in Friday is even more frowned upon than it was back in 2012. While these things are not always consistent or predictable just mentioning interest in the project would easily prompt a big Internet backlash, and if the movie came out at all it would probably be very sanitized in comparison with the original. Such a movie might still work, but all the same, I still think the factor that I mentioned as a likely obstacle is probably a bigger one now than then.
Damn just thought about this book, certainly made an impression on me as a teenage youth... But loved the whole idea of the group marriage... made a lot of sense.
I imagine you're not alone there-especially if we consider how Heinlein had treated such themes in his books for decades (going back at least to The Puppet Masters, just going by my recollection). Still, it's interesting that so many recall Friday so favorably--especially given how much less attention (and critical respect) Heinlein's later stuff gets compared to his old classics.
Thanks for writing M-Jayz!
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