The "Other" Stan Lee

When we speak of a writer named Stan Lee people will probably assume one means the Stan Lee associated with Marvel Comics, where he has generally been credited with, along with Jack Kirby, being the driving creative force in the company's "Silver Age" ascendancy, co-creating such icons of the form as the Fantastic Four, Spider-Man, the Incredible Hulk and the X-Men (among many others).

However, it is notable that just as Stan Lee was making comics history another Stan Lee--Stanley R. Lee--was also making history. A "Mad Men"-era adman at the firm of DBB, he wrote the copy for one of the most famous political advertisements in American history, the "Daisy" ad aired during the 1964 presidential election race by Lyndon B. Johnson's campaign, alluding to the cavalier attitude toward nuclear war that Barry Goldwater had displayed in his public statements. (A major theme of that campaign, opponents of Goldwater parodied his campaign jingle "In your heart you know he's right" with "In your guts you know he's nuts!")

As it happened the theme of nuclear war was one that Stan Lee stuck with as, like a great many other ad-men, he turned to publishing fiction. When we think of the '80s--an era in which the Goldwaterite tendency within the Republican Party, defeated in '64, captured the party and increasingly set the tone for American politics, down to this day--we remember it as a militaristic period, with Rambo: First Blood, Part II and Top Gun among its biggest box office hits, and Tom Clancy not only edging out Robert Ludlum to become the leading thriller novelist of the day, but the highest-selling novelist of the decade, period. Still, the decade also saw backlash against that tendency in a powerful anti-nuclear arms race movement that also made itself felt in pop culture in such ways as the miniseries The Day After (watched by an estimated 100 million Americans), and hit films like Wargames and the Strategic Defense Initiative-satirizing Spies Like Us, while if writers like Clancy offered images of a "winnable" World War III in works like Red Storm Rising writers like David Brin in The Postman offered a very contrary view.

This "Stan Lee" made a notable contribution to the stream with his novel Dunn's Conundrum (1985) (published under the name "Stan Lee"), a cleverly satirical "anti-techno-thriller" about an intelligence agency with a very dark and dangerous function in the nuclear arms race and the Cold War confrontation under a government that was clearly completely unhinged to allow such a thing--and the whistleblower intent on exposing and shutting down the operation. Five years later Mr. Lee followed up the book with his second novel, The God Project (1990), a similarly striking satire that, if still imagining the Soviet Union as a going concern in 1997, shifted its attention to a world of ubiquitous small wars and aspirations to making American intervention in them via automation, taken to its imaginative limit (with, to boot, the big secret bound up with a left-wing Christian movement).

So far as I can tell Lee did not publish a third novel before his early passing in 1997--while sadly the books seem to have sunk into obscurity (as the sheer scantiness of the Wikipedia page devoted to Lee reminds one--the single, two-sentence paragraph not quite filling three lines). It is a great shame, especially in an era in which few writers would dare to produce such works, not least for pessimism about a publisher being willing to take them, the niche unfilled--but the books, at least, remain "for your consideration."