These days Boxoffice Pro seems to be out of the long-range forecasting business, and so all we had to go on from the first week of April up until now in regard to The Fall Guy has been its initial prediction of a $20-$40 million opening weekend for the movie, without the usual updates. The weekend forecasts, if less comprehensive than before, still appear, however--and the estimate they published Wednesday has that movie pulling in $30-$40 million, suggesting that the outlook has become a little more bullish over the past month, with regard to the bottom end of the range if not the top. Still, the publication's staff are not unmindful of the film's disadvantages, noting here that even compared with projects like Charlie's Angels (which did not do so well in 2019), the original "The Fall Guy did not leave a substantial cultural footprint," that indeed "[a] vast majority of audiences under the age of 30 probably wouldn't remember who Lee Majors was," while those who were actually fans of the original "may be put off" by what they have done with the material (certainly I think they would not care for "Kenough" crying in his truck to Taylor Swift, among much, much else in just the few bits of the film we saw in that "Everything" trailer), such that this movie "may be one of those cases where the filmmakers wind up pleasing no one in trying to please everyone."
Of course, the critics loved it--but then claquing is their job. The audience gets its say now, and we will see if the film's strengths will outweigh its all too numerous and obvious disadvantages. But where the bigger picture is concerned one does well to remember that even the $40 million of the high end of this film's range will still work out to the weakest opening for the first big movie of the summer in nearly two decades, making for an inauspicious beginning to this hugely important season for the industry.
Solomon Kane - Rattle of Bones
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