Back in May I estimated on the basis of the performance of prior Marvel Cinematic Universe films (and especially what seemed to me the closest point of comparison, Black Panther 2) that Captain Marvel 2 (The Marvels) would in real terms make half what the original did--some $600-$700 million globally.
However, the way big franchise films just like this one kept flopping over the summer had me increasingly considering (as I had, correctly, with Indiana Jones 5) the possibility of a Solo-like collapse for the MCU franchise with this movie. And when I saw Boxoffice Pro's first publicly released tracking-based estimates that was what seemed to have come to pass, such that I downgraded my estimate to the $250-$500 million range a month ago.
Of course, expectations for the film have only continued to erode since (with a $50-$75 million opening weekend now thought too high, the last estimate in the $35-$49 million range), and on that basis I recently broached the possibility that the film would fail to make even $100 million in the North American, domestic, market--doing even less well than the DCEU's The Flash. Should that nightmare scenario come to pass for the film it is possible that, should the domestic/international split for the film be the same as it was for the original Captain Marvel); or the foreign gross erode even more heavily in an era in which Chinese moviegoers will not be buying $150 million in tickets the way they did last time; the film's gross could easily fall short of the $250 million mark globally.
In other words, the movie will have grossed--not netted, grossed--less than the outlay for just the production, with the result a flop that even by this year's standards could mean hundreds of millions of dollars in losses. Still, as audiences are just now starting to see the film there remains the possibility that this movie, like so many others this year, will manage to surprise the box office-watchers--with, as I suggested in an earlier post, audiences liking what they see, and good legs partly redeeming a weak opening to make what (as with Elemental) looked like a sure flop a hit instead. For what it is worth it seems that audiences right now are being kinder to the film than the critics (even the "All Audience" score on Rotten Tomatoes 73 percent, against the 61 percent score the critics provided), but one way or the other we will probably have a pretty good idea of which way things will tend not much later than Thanksgiving weekend.
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