In a little over a month the media has gone from claquing for The Flash as the "greatest superhero movie ever" to accepting that it is a flop of historic proportions (reflected in its, in its third weekend, having just $99 million collected in North America, less than might have been hoped for in its first two days of release).
Now the question seems to be just how much money will be lost on this proposition.
Well, the formula is familiar enough.
Consider the reported budget--something on the order of $200 million. Double and triple that to get the range of the final bill for production, distribution, promotion.
You get $400 million to $600 million this way.
Now consider what the film seems likely to make at the box office. The prospect of $400 million seems to be receding in the distance, even $300 million. I personally can see it (given its possibly finishing around $110 million domestically and the current 40/60 domestic/international split) topping out somewhere around $275 million. Assume a fairly typical 48 percent goes in the till and you have $130 million or so in worldwide theatrical rentals.
Now what about home entertainment, etc.?
Big movies usually make somewhat less here than they do from theatrical revenues. Even 90 percent (which would work out to just under $120 million) is high. But given how poorly this one did at the box office it may make relatively more than usual there. Assume that it matches its theatrical take from those other sources. Or even does better--that it betters that by 50 percent (the way some small movies do).
You end up with maybe $250 million, at best something in the neighborhood of $300 million.
Against that you have the outlay of $400 million+ (and maybe much more).
The result is that even if the movie is a spectacular home entertainment performer (relative to its theatrical income) it will work out to a nine figure loss for the studio--$100 million, maybe $200 million. I would not even be shocked by a $300 million loss on this one movie.
This would guarantee it the top spot in Deadline's "biggest box office bombs" competition in just about any year but this one.
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